For many, the epitome of success might just resemble a rent-controlled apartment nestled in the heart of Manhattan, appealing even to those beyond New York's borders. This sets the stage for understanding Iris's (Naomi Watts) dilemma in "The Friend," as she, a writer and professor, unexpectedly becomes the caretaker of a 150-pound Great Dane following a friend's passing.
Her living space, a modest 500 square feet, stands in stark contrast to the building's strict no-dog policy, regardless of temperament.
Dog enthusiasts might see a simple solution, given the restrictive rules. However, Iris, a single writer navigating one of the world's most expensive cities, faces a tough decision. She must contemplate parting with a significant aspect of her life after her mentor, Walter (Bill Murray), leaves behind his dog Apollo (Bing) without a care plan. Or perhaps there was a plan: Iris herself, unbeknownst to her before Walter's death. Compounding this, Iris isn't even a self-professed dog person.
Adapted from Sigrid Nunez's National Book Award-winning novel, the film, directed by Scott McGehee and David Siegel ("What Maisie Knew"), holds undeniable charm. It's a quintessential New York narrative centered on the romantic allure of writing, featuring Murray, Watts, and Bing.
The characters boast rich histories. Walter, a renowned yet flawed author, was notorious for his womanizing and multiple marriages. Beyond Apollo, he leaves behind three ex-wives (Carla Gugino, Constance Wu, and Noma Dumezweni), a daughter (Sarah Pidgeon) born out of wedlock, and a misconduct allegation. Iris and Walter shared a past dalliance but evolved into deep friendship.
Walter's enigmatic nature, amplified by his off-screen presence, adds mystery. Seen only through flashbacks, Murray embodies a charismatic yet out-of-touch genius, constantly surrounded by admirers. Iris questions her understanding of Walter, highlighting a rarely explored grief: the loss of a friend.
Iris stands out as a refreshingly unconventional female character, content with her life as a single woman without aspirations for more. Watts portrays her with grace as she grapples with her writing. Apollo, too, has a backstory, having been found by Walter in Central Park. With Walter's passing, Apollo's grief manifests as either dejected repose on Iris's bed or destructive outbursts in her apartment.
It's no secret that Iris and Apollo embark on a journey to find solace in each other amidst their shared loss. Eschewing dog movie clichés, McGehee and Siegel offer an honest depiction of inheriting a substantial living being.
While "The Friend" may feel lengthy, its heart and care make it a worthwhile watch. It's a reminder of the existence of smart, authentic stories about relatable individuals, which, though still being made, require more effort to discover.
Distributed by Bleecker Street, "The Friend" is now in limited release, expanding nationwide. Rated R for "a sexual reference and language," it runs for 123 minutes and earns three stars out of four.